Reflexiones sobre las experiencias traumáticas en Julia de Ana María Moix: una mirada profunda a la autoformación femenina
Keywords:
Trauma, Escritura femenina, Julia, Ana María Moix, Autoformación femeninaAbstract
The novel Julia by Ana María Moix, a renowned poet of the novísimos movement, has been extensively studied by literary critics in the context of contemporary Spanish literature. It plays a significant role in the genealogy of women's writing by presenting the female image from a gendered perspective. Within Julia's personal development, traumatic experiences have a decisive influence on the evolution of her identity. It is intriguing to examine the various forms of these traumatic experiences and explore the reciprocal relationship between personal, social, and collective aspects.
Downloads
References
Alemán, L. D. P. (2022). Determinismo y voluntarismo alegórico en la novela Julia, de Ana María Moix. En Borjabad, S. A. F., García, O. S. O. y Manzanera, A. G. (Eds.), El devenir de la lingüística y la cultura: un estudio interdisciplinar sobre lengua, literatura y traducción (pp. 184-198). Dikson.
Bezhanova, O. (2012). Female Bildungsromane by Rosa Chacel and Ana María Moix: An Intergenerational Dialogue. L'Érudit franco-espagnol, (1), 3-18.
Caruth, C. (1995). Trauma: Explorations in Memory. The Johns Hopkins University Press.
——— (1991). Unclaimed Experience. Trauma, Narrative, and History. Yale French Studies, (79), 181–192.
Cossalter, Fabrizio (2009). Las raíces del desencanto. Notas sobre la memoria literaria de la Transición. En Pittarello, Elide y Bou, Enric (Eds.), (En)claves de la transición: una visión de los Novísimos, prosa, poesía, ensayo (pp. 39-56). Iberoamericana.
Erikson, Kai (1995). Notes on Trauma and Community. Explorations in Memory. Cathy Caruth (ed.). The Johns Hopkins University Press.
Felman, S. y Laub, D. (1992). Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History. Routledge.
Hunt, N. C. (2010). Memory, War and Trauma. Cambridge University Press.
Herman, J. (1995). Trauma and Recovery: Contemporary Symbolic Depictions of Collective Disaster. New York: Lang, 175－177.
Jones, A. B. (1997). Ana María Moix and the Sacrifice of Order. Letras femeninas, 23(1/2), 27-40.
Loriga, S. (2018). La cuestión del trauma en la interpretación del pasado. Pasajes, 40, 16–23.
Laub, Dori (1992). Bearing Witness, or the Vicisitudes of Listening. En Felman, Shoshana y Laub, Dori (eds.), Testimony. Crises of Witnessing in Literature, Psychoanalysis, and History (pp. 57-74). Routledge.
LaCapra, Dominick (2001). Writing history, writing traum. Johns Hopkings University Press.
Moix, Ana María (1972). Julia. Seix Barral.
Mayock, Ellen C. (2003). Enajenación y retórica exílica en Julia de Ana María Moix. CiberLetras: revista de crítica literaria y de cultura. (10).
Navarrete Barría, S. B. (2018). Figuraciones del silencio en la narrativa de la memoria: análisis desde el trauma. Aisthesis Revista Chilena de Investigaciones Estéticas, 64, 11–23. https://doi.org/10.7764/aisth.64.1
Perez-Sánchez, Gema Pilar (1988). Gender and Sexuality in Transition: The Novel in Spain from the Early 1960s to the Late 1980s. Cornell University.
Rogers, K. L., Leydesdorff, S. y Dawson, G. (1999). Trauma and Life Stories: International Perspectives. Routledge.
Terr, Lenore (1994). Unchained Memories: True Stories of Traumatic Memories, Lost and Found. Basic Books.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Shuhua Fu
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
